The Crew

The more someone gets to know you, the more they treat you like family. This is not always a good thing.

                                                                                              – Judith

It amazes me that we spend more of our normal weekday with co-workers than with our own family. My work-wife of many years, Ally Peters, PMP,  was shared throughout our department. She had about nine husbands and took care of each and every one of us. She called us her boys. She was all southern belle but, don’t let the pretty exterior fool you, she was tough. She could drink us all under the table and had no problem calling you out for being a doosh. We said she was a dude in a chick-suit. She had our geniune respect for sticking up for our team and giving us a voice within the company. Every morning, about five of us and Ally would get coffee together and talk about what we did that weekend or our plans for the following one, depending on where we were in the week.This dynamic lasted for a litte over six years until our department was dissolved. Ally was the only one from our group that survived the cut. As most things in life, it’s only after it’s gone do we truly appreciate it. Thank you, Ally for creating the healthiest work environment I’ve had so far in my life.

The subject matter is based on my best friend, Larry and his crew. I deliberately left the windows in the interior of the truck blank, so there would be more separation between the crew and the truck. Larry is drawn with a bit more contrast than the others, therefore he sticks out a little more.

Its an IT Thing

Why not make the iPad a phone? Because, if a device is too large, you’d look like a putz with it up to your ear or, in this case, hanging off your belt. I wore my Blackberry on my hip for about a week (Yes, I was an IT guy. Held the title of Systems Engineer and everything). I stopped after contemplating wearing my Mag-Lite and Buck Knife on it as well. I felt it best to quit using my belt for anything more than holding my pants up before it got out of hand.

Another line drawing from way back when. Every once in a while, I come across one. It’s interesting, because of how much I draw now, my perception and evolution of the lines I draw has become increasingly clearer. In other words, I’m getting better at drawing what I see in my head. Having said that, I have to think about how I drew the figures and try to replicate the technique. By the way, the gentleman to the left has a freshly drawn head. Can you tell a slight difference between that one and the other two?

Death Card

Now, I do not believe in fortune telling at all. Only God knows what’s in store for us, and he’s keeping it a secret. I picked this card for it’s cool symbolism. So, before I am accused of anything other than what it stands for, I will give you an explanation. First and foremost, The Death Card is a representation of the end of something. A relationship perhaps. It represents death of all kinds, meaning, the death could be anything from a houseplant to a career and yes, it may also mean the death of a human. But as we all know, a new beginning is a result of the previous new beginning’s end. To some, that may be scarier than death itself. By the way, Tarot cards are really old and popular belief is they were the forefathers of the decks of cards we use today.

The emphasis is on layout in this sketch. The horses head and leg create a definite plane with the side of the building, allowing me to frame out the figure to the far left. That way, they are not competing with one another.

The Key

My best friend, Larry Jones’ landscape philosophy; Give them something to look at, someplace to go, and something to do when they get there. I have adopted these words as my landscaping creation philosophy also. I drew this landscape just so I could use a bunch of wonderful Copic markers that I received in the mail from a dear friend of mine. Senior~ Wenceslaus on top of the RoBot was an afterthought.

In this sketch, I use detail to achieve atmospheric perspective more than color or shade. I used the same colors from the landscape in the robot to lessen the mechanical aspect and give him more of an organic look. I opted to leave the background white to keep the focus on the characters. If I were going to put color to it, I would use a blue wash fading to white from top to bottom. As it is now, you can imagine the white as a wall of snow behind them.

Kev-Cuddle-Bear

This is my answer to Teletubbies and Carebears. It’s the same concept only my version shoots lasers out of his eyes and poisonous darts out of his nostrils. His heart will explode if the outer core is breached. Danger is just plain fun. When I worked at The Home Depot, Tim Hynes and I made a ball that we dubbed “Danger Ball”. It was a styrofoam ball with thumb tacks taped to the outside. The object was try not to bleed after catching it. We had way too much time on our hands, apparently.

I blurred the leaves in the background to make the bears head and hands pop. I deliberately left the foliage in the foreground sketchy, so he would be the focus.

Just a Villain Following Orders

You know what’s worse than a villian? A supervillain. The guy that’s pulling the strings. See how I worked the “string” angle?

I used atmospheric perspective and drew it with a pencil.

Must get back to watching football now.

A Horse Driven

Act as if what you do makes a difference.  It does.

                                                                                   – William James

Did you ever have a moment when you really were in danger?

When I was a youngster, I drifted past the breakers on a raft unbeknownst to the ever-watching eye of my mother. I don’t believe I knew how to swim very well, if at all. I remember there wasn’t much sound out there. I saw my mom on the shore waving her arms and jumping up and down. You know when your mother is really pissed-off and yelling at you and you can’t hear her, you’re in serious trouble. That scared me. I remember the lifeguard who swam out to my rescue. He had a smile on his face and acted like he swam out to play with me. Not only was I not in trouble, but I made a new friend at the beach. It’s really good to know there’s people like that out there. He could have easily yelled at me or have been a doosh, but he wasn’t. He was just happy to see me. My mother, on the other hand, had mixed emotions.

In this sketch, I’m playing with the fore, middle and background. The horses head (foreground), has darker outlines and lighter highlights, making it the focus of this piece. The horse and rider in the background are much lighter and less defined, giving it deeper atmospheric perspective and the rider’s head and body are a keen mixture of both. I left the bottom half of the horse and rider sketchy to balance out the sky around the horse’s head.

Fishing with Grampy

 Okay, I have to admit, this isn’t a sketch done recently. In fact, it’s a sketch I did about 3 years ago in a small pocket sketchbook I carried with me at the time. What makes this sketch so special is because it was the first sketch in my RoBot world. I named it fishing with Grampy, because that’s what my niece re-named my dad about 16 years ago. I think the name is too close to “Grumpy”, or even worse, “Crampy”. Sorry, Dad, it just is. My mom’s name is Grammy. Now, that’s a cool name. Very English. My Grammy’s mom was Big Grammy to us kids. I’m not sure why because she was a relatively small woman. Pay attention, I’m gonna quiz you later.

The sketch is a bit older, so I really can’t recall what the heck I was thinking at the time. All I can do is describe it to you as if someone else did it.

The artist clearly has a huge fear of abandonment. Obviously, the extreme use of dark shades means he views the world as a dark place and he longs to crawl back in the womb. Kidding. Grampy is the start of a steampunk introduction. It’s one of my favorite art forms, combining the new with the antique. Lots of brass and leather. Kind of fitting, since he’s a much older RoBot. The scene is on the eastern shore of the lake at dusk. The reason I knew this is because the scene is from my memory of Owasco Lake in the summer. If you’ve been to my main site, you’ll see the start of a painting similar to this drawing.

Captain Young Brian

This is what you get when a grown up kid asks for a portrait.

Another commission piece. Suit and tie? Hell no. How about a sabre and a flintlock! I read in a Pirates display in the Myrtle Beach Aquarium that unlike commissioned ships of the day, pirate ships were a straight up democracy. Which makes sense, really. If the majority didn’t like the Captain, they would just throw his butt over the side.

Using the “Pitrates of the Caribbean” grunge look, I deliberately worked his head a little more than I normally would. If you knew young Brian, you’d realize this is a darker version of his face and features. I kept the paper slightly dirty to keep the look consistent. He has dirty blonde hair and blue eyes. I was going to do another big-head-little-body characture like Hal Prather,  but it just seemed more fitting to give his body a more foreshortened look.

Bertha Barmaid

Back to the World of the Dead. Not really in the writing mood tonight. When I started this blog, it was only supposed to be for my sketches and not so much for my rants and tirade. The writing was just supposed to be about the sketches, techniques and subject matter. Now, it’s become a dumping ground for my random thoughts. So be it. I’m pretty darn impressed with myself for keeping up with it. Especially on days like today. All I have to do is think about the reason I am doing it, so I never have to hear, “we are eliminating your position, therefore we are letting you go.” ever again. I told a good friend of mine today that I’m 44 years old and I finally know what I want to be when I grow up.

I love drawing tequila bottles with the worm inside. It just looks cool to me. I also enjoy drawing the glass texture. These characters are just plain fun to draw.